Kennosuke Nakamori's sonorous voice fills a small room as he practises the lines of a traditional Japanese Noh play, even though he hasn't performed before a live audience in months.
He moves gracefully as he rehearses the studied movements associated with the ancient art, but his serene exterior belies deep worries about the future of Noh.
The coronavirus pandemic has shuttered theatres across Japan, and while other traditional art forms can rely on generous private backers or state subsidies, Noh depends heavily on staging shows.